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In this comprehensive guide Eddy B�gh Brixen will take you through the complex and confusing concept of audio metering, giving you the knowledge and skills you need to utilize optional signal levels and produce high quality audio.
Covering all areas of this essential topic, Audio Metering begins with the basics- audio definitions and digital techniques, and works up to hearing and psychoacoustics. Levels in audio are defined, and the metering standards and practices are discussed, covering the existing standards abs VU and PPM, as well as the new loudness metering standards, making this the reference guide to audio metering.
This new edition includes
* Current information on loudness metering, covering existing and new standards, defining terms like LU, RLB, and LKFS
* Explanations of music sounds and structures
* An extended chapter on topics relevant to the sound engineer in the field of psychoacoustics
* More details on speech intelligibility and it's measures
* The skills needed for both small room acoustics and large auditoriums sound design without losing sound quality�
* An extended glossary
Packed full of valuable information that can be applied to a wide variety of everyday tasks, this handbook is essential reading for all technicians and engineers working with acoustics, electro acoustics and audio forensics.� It also provides essential information for anyone working with loudspeakers and large scale amplifiers, including sound design for theatrical and live audio set-ups.
- Sales Rank: #1527283 in Books
- Published on: 2010-11-02
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 6.00" w x .50" l, .90 pounds
- Binding: Paperback
- 272 pages
Review
"When considered as a reference source, the book is nicely conceived. Each chapter begins with topic headings in outline format, making it easy to scan a chapter to see if what you're seeking can be found there. There's a good index and a useful glossary, about half of which is acronyms.. would make an excellent companion to a course in audio measurements where practical applications could be covered by lecture and demonstration in a classroom and lab."--Useful Audio Stuff Blog
From the Back Cover
In this comprehensive guide Eddy B�gh Brixen will take you through the complex and confusing concept of audio metering, giving you the knowledge and skills you need to utilize optional signal levels and produce high quality audio.
Covering all areas of this essential topic, Audio Metering begins with the basics- audio definitions and digital techniques, and works up to hearing and psychoacoustics. Levels in audio are defined, and the metering standards and practices are discussed, covering the existing standards abs VU and PPM, as well as the new loudness metering standards, making this the reference guide to audio metering.
This new edition includes
* Current information on loudness metering, covering existing and new standards, defining terms like LU, RLB, and LKFS * Explanations of music sounds and structures * An extended chapter on topics relevant to the sound engineer in the field of psychoacoustics * More details on speech intelligibility and it's measures * The skills needed for both small room acoustics and large auditoriums sound design without losing sound quality * An extended glossary
Packed full of valuable information that can be applied to a wide variety of everyday tasks, this handbook is essential reading for all technicians and engineers working with acoustics, electro acoustics and audio forensics.� It also provides essential information for anyone working with loudspeakers and large scale amplifiers, including sound design for theatrical and live audio set-ups.
About the Author
Eddy B�gh Brixen is an audio consultant and lecturer based in Denmark. His primary activities cover acoustics, electro acoustics and audio forensics. Eddy is a member of the AES, SMPTE, ACFEI and is recognized as a Diplomate of the American Board of Forensic Engineering. Formerly he has been affiliated with The Danish Broadcasting Corp., The Danish Acoustical Institute, DELTA, KKDK. Now he is running his own company EBB-consult. Eddy B�gh Brixen is active in standardization work and has participated the working groups on loudness metering.
Most helpful customer reviews
1 of 1 people found the following review helpful.
Great for those with sophisticated home recording studios.
By Dave
I think this book is a great reference book for those who have more than just a passing interest in recording as it can get into some detail that is not necessary for someone who does not have more sophisticated equipment that is not only designed for recording but will take the recording through full mixing and production. For this more detailed use it is ideal, but it has not been simplified in many cases. Just the proper uses of multifunction compressors and limiters is something that takes a good bit of study and experience, as well as aural recognition of the effects of using such effects.
If you are looking for a wide range of more sophisticated knowledge that is not equipment specific but function specific, this is a great resource.
0 of 0 people found the following review helpful.
Good reference for the professional
By Personne
There are many professions that make up the field of audio. It is easy to have substantial experience in one area and know little about another. This compact volume makes a nice first reference for those unfamiliar terms that are inevitably tripped over.
After a brief introduction to audio--likely to be skimmed by most readers--Brixen moves immediately into descriptions of the human auditory system, covers simple descriptions of how power and peak are computed, then then gets into more subtle measurement. Various weighting systems are described and then more sophisticated ways of calibrating measurement to human perception. Along the way, various standards and practices are described well: controlling documents are also mentioned for those who need greater detail. There are many standards, some for cinema, some for acousticians, some for recording engineers and some for legal bodies. Brixen provides many useful tables when it becomes necessary to translate from one standard to another. Math is included where necessary. Most is algebra with only a hint of calculus. The index is not an afterthought. Many topics are covered under more than one entry.
There are a few places where the author expands his mandate, but this is hard to begrudge. There's a tidy description of matrixed surround sound, and a nice description of the AES3 specification. There are some good descriptions of reverberation, including critical distance calculations necessary for good location recording.
The last generation to deal with analog equipment is on the threshold of retirement. Those experts in recording on optical tracks are even more rare. But their recordings will be the subject of restoration and repurposing for decades to come. Knowing something about the equipment, the calibration and the technical restrictions will be critical for upcoming generations to do their best work. Brixen's book deserves a spot on the bookshelf.
0 of 0 people found the following review helpful.
Wow...SUPER advanced!
By J. Peplinski
I have to admit, I like listening to music but am not a composer or producer, so I was not that surprised when this book appeared to be in a foreign language to my uneducated eyes. I really got this for my brother, who has a masters degree in Music Composition from NYU, owns a small studio, and has been composing/producing music for over fifteen years. He has produced for rock bands, soundtracks, and in recent years he's really gotten into producing electronic dance music, so I thought this might give him some ideas and new techniques. Much to my dismay, he looked at the book and was completely mystified. He didn't understand it either!
So what I'm saying is, if this book is even over HIS head, it's pretty advanced stuff. Definitely for professionals only, and even then you might want to do the "Look Inside" thing and make sure it's exactly what you're looking for before buying. Don't be like me and order it as a gift for someone who's really into music production! If they didn't specifically ask for it, it probably isn't what they want!
Much apologies for giving 4 stars to a book that I can't even understand; I figured that's sort of neutral and won't drag the ratings down. NOT for the casual music production enthusiast, but could be really great stuff for the right person/purpose. Do a little more research than I did before purchasing.
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